同步双屏录像装置
2 channels Video installation
24’07”
受敦煌当代美术馆的委托，2024年7至9月艺术家前往敦煌进行了驻留和采风。作品为双通道（双屏幕）制式，其中一屏主要取景于敦煌地区鸣沙山景区，记录和展现了敦煌当地的风土人情、文化历史和旅游文化等场景；在另一屏，艺术家以传统中国画卷轴的观看方式缓缓展开截选自敦煌壁画的图像，画面中敦煌壁画的人物、建筑和风景等，在节奏和内容上与另一屏实拍影像的对象交相呼应，形成了微妙的、今古交融般的互动关系。
Commissioned by Dunhuang Contemporary Art Museum, YANG crafted this dual-channel (dual-screen) work during a residency and field study in Dunhuang from July to September 2024. One screen predominantly features the Mingsha Moutain Scenic Area, capturing the local customs, cultural history, and tourism of Dunhuang. On the other screen, the artist slowly unfolds images selected from Dunhuang murals in the style of traditional Chinese scroll paintings. The characters, architecture, and landscapes from the murals subtly interact with the live-action footage on the first screen, creating a delicate interplay between the ancient and the modern.
2 channels Video installation
24’07”
受敦煌当代美术馆的委托，2024年7至9月艺术家前往敦煌进行了驻留和采风。作品为双通道（双屏幕）制式，其中一屏主要取景于敦煌地区鸣沙山景区，记录和展现了敦煌当地的风土人情、文化历史和旅游文化等场景；在另一屏，艺术家以传统中国画卷轴的观看方式缓缓展开截选自敦煌壁画的图像，画面中敦煌壁画的人物、建筑和风景等，在节奏和内容上与另一屏实拍影像的对象交相呼应，形成了微妙的、今古交融般的互动关系。
Commissioned by Dunhuang Contemporary Art Museum, YANG crafted this dual-channel (dual-screen) work during a residency and field study in Dunhuang from July to September 2024. One screen predominantly features the Mingsha Moutain Scenic Area, capturing the local customs, cultural history, and tourism of Dunhuang. On the other screen, the artist slowly unfolds images selected from Dunhuang murals in the style of traditional Chinese scroll paintings. The characters, architecture, and landscapes from the murals subtly interact with the live-action footage on the first screen, creating a delicate interplay between the ancient and the modern.
