印迹
Trace
1998
录像装置
电视机(29寸)、录像机、180分钟VHS录像.录像内容为一块伤筋膏药从皮肤上撕下的片断，重复拷贝，色调渐变。灯箱桌上是两张用药前后的皮肤照片，和膏药的实物，均被灯光透射。
首次展览于“晋元路310号”（上海）
Video installation
29′TV, 180 min VHS tape, with sound
This video shows a close-up of plaster being torn off hairy skin. As the scene repeats, the color gradually shifts through the entire color spectrum. Shown with the video installation on a table are before and after photos of the skin and the used piece of plaster itself.
First displayed in Jin Yuan Lu 310,Shanghai,China.
电视机(29寸)、录像机、180分钟VHS录像.录像内容为一块伤筋膏药从皮肤上撕下的片断，重复拷贝，色调渐变。灯箱桌上是两张用药前后的皮肤照片，和膏药的实物，均被灯光透射。
首次展览于“晋元路310号”（上海）
Video installation
29′TV, 180 min VHS tape, with sound
This video shows a close-up of plaster being torn off hairy skin. As the scene repeats, the color gradually shifts through the entire color spectrum. Shown with the video installation on a table are before and after photos of the skin and the used piece of plaster itself.
First displayed in Jin Yuan Lu 310,Shanghai,China.
平衡
Balance
1998
互动录像装置
三台电视机、一台录象机、一小监视器、一运动感应器.三台电视机均播放着艺术家自己微笑着的标准半身像；当有观众靠近中间的电视机时，该画面就自动切换成位观众的监视录像；他（她）会发现只有倾斜身体，才能得到直立的标准半身像，一如两旁的电视机中的画面。
首次展览于“杨振中：江南系列展之一”（加拿大温哥华Access艺术中心）
Video installationJiang.Nan, Access Gallery, Vancouver
Three monitors, a video machine, a little camera, a movement sensor.Three television sets display stimultaneously the artist maintaining a smile as if for standardized portrait photo.When audience approaches the monitor in the middle,the image is switched automatically to that of audience under surveilance.Soon s/he realized that a standardized portrait like these shown in the other two monitors only emerges when s/he leans his/her body to either side.
First displayed in”Jiang Nan“, Access Gallary/Vancouver
三台电视机、一台录象机、一小监视器、一运动感应器.三台电视机均播放着艺术家自己微笑着的标准半身像；当有观众靠近中间的电视机时，该画面就自动切换成位观众的监视录像；他（她）会发现只有倾斜身体，才能得到直立的标准半身像，一如两旁的电视机中的画面。
首次展览于“杨振中：江南系列展之一”（加拿大温哥华Access艺术中心）
Video installationJiang.Nan, Access Gallery, Vancouver
Three monitors, a video machine, a little camera, a movement sensor.Three television sets display stimultaneously the artist maintaining a smile as if for standardized portrait photo.When audience approaches the monitor in the middle,the image is switched automatically to that of audience under surveilance.Soon s/he realized that a standardized portrait like these shown in the other two monitors only emerges when s/he leans his/her body to either side.
First displayed in”Jiang Nan“, Access Gallary/Vancouver