前戏–杨振中个展
Foreplay
香格纳H空间，上海 十一月 05, 2006 - 十一月 30, 2006
“前戏”是创作中的一个铺垫？还是一个过程中思考的表述和回忆？
为了探索影像的种种可能性，杨振中常常会去改变常规的影像设备，并衍生出一些作者自己也意料之外的游戏。《前戏》将其1997-2006的部分影像试验过程与最终作品并置。观众在观看作品的同时，也可以参与到艺术家的游戏中去。
相关链接
ShanghART H-Space, Shanghai Nov 05, 2006 - Nov 30, 2006
Using innovative techniques Yang Zhenzhong expands the credo that UNDERNEATH EACH PICTURE THERE IS ALWAYS ANTHOR PICTURE into UNDERNEATH EACH PICTURE THERE IS ALWAYS A SPEIFIC MEDIUM. The exhibition FOREPLAY focuses on these mediating devices that constitute the imagery of Yang Zhenzhongs exceptional work, whether it is video, photography or installation art.
Yang Zhenzhong involves his audience in explorations intended to generate visual effects and stimulate feelings and thoughts to bring about unforeseen experiences and multiple points of view. FOREPLAY provides an ample chance to view a practice that resists any specific style, medium or material.
link
“前戏”是创作中的一个铺垫？还是一个过程中思考的表述和回忆？
为了探索影像的种种可能性，杨振中常常会去改变常规的影像设备，并衍生出一些作者自己也意料之外的游戏。《前戏》将其1997-2006的部分影像试验过程与最终作品并置。观众在观看作品的同时，也可以参与到艺术家的游戏中去。
相关链接
ShanghART H-Space, Shanghai Nov 05, 2006 - Nov 30, 2006
Using innovative techniques Yang Zhenzhong expands the credo that UNDERNEATH EACH PICTURE THERE IS ALWAYS ANTHOR PICTURE into UNDERNEATH EACH PICTURE THERE IS ALWAYS A SPEIFIC MEDIUM. The exhibition FOREPLAY focuses on these mediating devices that constitute the imagery of Yang Zhenzhongs exceptional work, whether it is video, photography or installation art.
Yang Zhenzhong involves his audience in explorations intended to generate visual effects and stimulate feelings and thoughts to bring about unforeseen experiences and multiple points of view. FOREPLAY provides an ample chance to view a practice that resists any specific style, medium or material.
link
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